Anything but Substandard

NORTH END GALACTICOS 0-7 SUBSTANDARD LIEGE

DETERMINED Student footballers were gleaming with pride today after boosting their match fitness levels in the wake of fixture cancellations by the local council yesterday.

But the exhibition match between North End Galacticos and Substandard Liege at Moor Park this afternoon was still abandoned after 70 minutes after a further warning from the Student Union Football League about playing friendly matches on the public park pitches.

The 7-0 defeat was a painful score to add to the results list from the season but was certainly above other performances, against a team in the other respective division. Matthew Tresman, on loan from George FC for this match played a role up front with Jack Coates and the pair helped to create opportunities. Tresman’s dribbling ability was a handful for the Substandard defence. Coates however was looking to add to his goal tally with two opportunities. The first opportunity saw the striker hit the crossbar from yards out with a superb drive. The second chance came from a corner kick with a flicked on header bouncing straight to the player who narrowly shot over the crossbar.

Notable performances included Josh Hawley who was impressive at right back linking up with the midfield and producing a fine shot from distance and Aidan Hicks who occupied several positions across the park throughout the game and performed admirably.

The fixture cancellation has occurred inevitably due to the weather conditions. The Galacticos though will be hoping to face the teams in the bottom half of the Ashton Park Division with big matches coming up against Athletico PD, Whitendale and the Hellenic Society.

Hateley, Hawley, Davies, Carl, Birch, Hicks, Stone, Povey, Jack, Tresman Coates

Subs: Carl

Attendance – 2

Venue – Moor Park

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Review: Johann Strauss Gala, York Barbican – Friday 13 January 2012

Read original review on the Press  here

“I HOPE you all get home safely tonight,” said the Johann Strauss Orchestra conductor, David Juritz, in response to the night’s winter chill.

Dancing ahoy!: Let us dance like this in clubs today

His voice echoed across the Barbican, stirring imaginings of the empty, isolated and frosty streets that awaited outside in the January blues, only for those thoughts to be overtaken by a musical masterclass that was both enthralling and educational.

Last Friday’s Johann Strauss Gala focused on the magic of the Viennese Ball in a celebration of the most popular music and song and dance of the Strauss family, with the orchestra being conducted from the violin by Juritz, who has worked previously with the Mozart Festival Orchestra and the Royal Philharmonic.

The Waltz King set the mood and there were fine individual performances all round, including by soprano Amy Freston, whose outstanding contribution was Il Bacio. The violin solo by Juritz that followed this gave out particular emotional resonance.

Such favourites as The Radetsky March, Chatterbox Polka, Voices Of Spring and The Blue Danube were performed too.

Arguably the highlight of the night was the dancing.

Led by dance captain Julianne Rice-Oxley, the dancers produced outstanding spins and conveyed character traits to give a human face to the gala that the audience could identify with.

Overall, this was a performance of nostalgic delight, travelling back to a time when society appeared to be more respectful and polite in nature.

- Daniel Birch

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How to leave a Music Festival and get home safely

This is pretty random but what isn’t! I love creating writing so here goes..

The scene is set. Leeds Festival. Sunday night turns out to be Bonfire night. All the tents are getting destroyed. Chaos ensures. The reports will be on BBC Look North the following night. All the Harrogate people in a doubled up campsite get together. I take my bag and put it in the crowd’s tent in the heart of the Orange camp site at Bramham Park. It’s 4am, and I want to go to bed. I find salvation inside, get my mattress and doze off…

The following morning, I woke up absolutely brimming of a freezing state. I knew that as soon as I woke up, I had to leave Bramham Park. It was Monday morning and some people were going home. I hardly had any money. I asked a friend what the time was and they said “6am”.

Branham Park (above) could I actually get out of here?!

I couldn’t be bothered waiting so decided to head back home and find a bus. Unfortunately the buses didn’t appear to be coming, according to the steward guys outside the festival. Thinking back to how I originally got to the festival, I decided to go down the bus route which had taken me to the festival in the first place. This involved walking down barren, green fields next to bushes. I might have been stupid, and indeed I knew at the time it was a silly idea. But I suppose I wanted a sense of adventure. I was shattered from a weekend of crazy partying, and I was keen to find out what civilisation was really like.

I ended up in the village of Bramham and went to the local shop. It was so weird to be back in civilian surroundings. Bramham Park although only across the motorway with the music blaring was a different world. I bought dairy milk and phoned my parents with the battery that I had left and proceeded to go on the biggest and weirdest walk.

I walked all the way from Branham to Clifford. I had my sleeping bag mattress with me, but I felt the pain from having to carry all of this. I continued up Bramham Road, and quite clearly was feeling the pain. I knew that there was a bus that would take me home somehow. But I wanted to continue walking exhausted and tired remember, in the hope I might find a big supermarket.

Now is the time to put on your best Yorkshire prowl when you read this. Maybe not in a dialectic way but certainly worth bearing in mind!

I eventually decided to stop at a local bus stop after asking a local man who I christened ‘Old Bert’ if there was a Morrisons nearby (It’s a Yorkshire custom). He told me there was one nearby but the nearest one was Wetherby. I was in at Clifford at this point and suddenly all the local people came out to play. I waited at the Bus Stop for what seemed like forever. I just wanted to go home. I was never going to pay a £10 ticket to get a shuttle bus from the festival to Leeds City Centre. I also didn’t want to wait around so just went for it. The buses were running inconsistently because it was a bank holiday Monday.

The hour was one of the most interesting perks of the weekend (well maybe not). It turned out that ‘Old Bert’ was going to Wetherby for a cup of tea and a look around the shops, like a gentleman in his cap and his shirt and tie. He belonged to another era. A polite one. I didn’t ask if he was a Leeds United supporter though I wish I did. His other retired friend soon joined him, and I wanted to believe there were talking about the horse races and betting. This didn’t turn out to be true of course. These people got the bus stop everyday it seemed and this was their way of life. Exciting!

More people joined including a lady who told me about all the noise from the festival that they had heard. They had heard Kings of Leon. I think they quite enjoyed it. She certainly didn’t seem annoyed about it all! A young couple with a baby soon came, and I think we were complete here, with a picture of British Image 3 of people waiting at the bus stop, from all different perspectives. David Hockney, please make a collage of this!

Picture the scene. I am wrecked and tired, and I am sat in a bus stop for an hour. I want food, shower and a bed and I am here with the local people of Clifford, listening to their chat and gossip on village matters. I feel like I know everyone already. It might be slightly journalistic but it’s more of an adventuristic view. Having walked all the way here, surely I count myself as an official Clifford citizen! It was actually really nice.

Eventually the Bus came. I sat in it and wiled away the time by looking at the scenery. Old Bert got off his stop, and we went past the hustle and bustle town of Wetherby. Famous for the Wetherby Wheller, and Wetherby Athletic FC…

There you have it, a journey from a festival, with no money and no food but it was brilliant! It was not entirely random but it was an adventure. I felt like writing something out of the blue for about an hour, and the blog was the best platform for this.

Thinking about it those Suburbia areas are rather nice.

Clifford, Bramham, Leeds, I love you Yorkshire, always in my heart!

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Live Review: King Charles, Preston, Saturday 5 November 2011

King Charles @ Mad Ferret, Preston Saturday 5 November 2011:

Quite simply the word ‘Love’ reached a positive level of the entangled web of the simple name at the Mad Ferret on Saturday night.

Happy couples held hands tightly. Fashionable attire was a stark of positive diversity. The changing room upstairs from the main stage had a ‘Wayne’s World’ feeling to it. The dark lights and the intimate setting was what a gig should be in the underground and focal metropolitan point of Preston guitar world.

The first support act came from Karima Francis. The Blackpool born singer songwriter has received lavish praise in the national music press recently for her tender song writing. She appeared shy and nervous with the crowd, but it was her ability to hold the people watching her that made her stand out. As she hailed from Blackpool, she sold merchandise in the form of Blackpool Rock with her name crested into the butterscotch flavour. This was a fine characteristic to behold and her emotional songs set a nice tone of the start of the night.

Manchester band, Rock & The Ravens on the opposite end however were uninspiring. Their heavy brash sound, and over exaggerated acting on the instruments did not fit in with the meaning of the night. The band was also led by a keyboard player, who doubled as a singer and the reaction from the crowd was one of dazed, repetitive tedium as they waited for the main act of the night.

King Charles finally came on, and with his music, it made you smile. His charisma was there for all to see with his exceedingly long hair flapping about like a careless person. His backing band’s costumes sparked connotations of old medieval England in an enchanted castle complete with a roast hog dinner.

Musically, he had spoken about wanting to make people joyful as part of the ‘Tail Lights Disco Tour’, and glazing at the diverse crowd at the Mad Ferret, you could tell that they had been embraced by his presence.

The personal highlights of his set included the performance of upcoming single ‘Bam Bam’ which is released next week. The harmonies from the backing singers smoothed sweetly with the keyboard chords. It simply made you want to dance.

Video taken from the club night by ‘LEMMYMARK’. Visit: http://www.youtube.com/user/LEMMYMARK for his page of live gig videos taken from around the Preston gig scene.

It was incredibly refreshing to hear Charles’s lyrics not just being based on the industry’s current predicament on love but also on modern day Britain. Lyrically speaking, talking about the X Factor, Gordon Brown, and the aftermath of Princess Diana was of high relevance.  He spoke about retaining a sense in the generation uniting and understanding our sense of identity. “There are protesters in the stage, the world economy is miserable and it’s always the arts that put a lot of the ideas, and starts uniting the generation “said the singer. “ I think that’s definitely going to start emerging more as people become more satisfied with life. Art is designed to be a commentary on life and to highlight the good things “. There is no doubt that as a generation surely is still searching for its voice that this is something we desperately need more of.

The night ended with the launch of ‘ANTICS’ the clubnight spearheaded by Ark Preston editor, Gareth Butterworth who was the DJ with a fine selection of underground based indie and rock music, which attracted a crowd largely based from smash hit club, The Warehouse where they will have been besotted by a new selection of music.

Daniel Birch

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Interview: King Charles

King Charles @ Mad Ferret, Preston, Saturday 5th November 2011
He’s unique. He’s artistic. And he has very long hair.

Ahead of releasing his new album next year, London singer-songwriter King Charles is returning to Preston this Saturday night for another performance as part of his ‘Tail Lights Disco Tour’ at the intimate cosy venue of Fylde Road, The Mad Ferret.

He has fond memories of his last trip to Preston. It is the fun loving, gleeful nature of the Mad Ferret crowd that has stuck in his mind from his last visit to the city in August 2010. He is positive when he reminiscences about the Preston people: “I remember having an amazing conversation with these two boys. One was a brick layer and they laughed and they didn’t stop me laughing. That’s what I really love about Preston. “

Indeed it has been an action-packed year for King Charles. When writing his original 2009 EP, he had an almost fatal accident that very nearly dramatically halted the process. He recovered to support Mumford and Sons, and also became the first and only British Artist to win the well renowned, International Songwriting contest at Nashville in 2009.
His most anticipated song is the upcoming single ‘Bam Bam’ that is released in two weeks’ time. It is clear that from listening to the single, that this is a song that defines the energy of the man but is a personal journey into the understanding of the concept of love. “Love is what interests me first and foremost and understanding all the different characters of love. A lot of this album has been about unacquainted love and how it can teach you all about different kinds of love and what they all mean.” He adds meaningfully, “It’s really a starting point on my road to discovery what love really is “.

Music video by King Charles performing Bam Bam. (C) 2011 Universal Republic Records, a division of UMG Recordings, Inc. Published by King CharlesVEVO, 19 October 2011.

There may well be a stereotypical, current trend in industry song writing on the lyrics of love in this current era but it is clear that to him that this means much more. Without doubt though, it is his alternative folk sound of uncompromising euphoric harmonies and upbeat chords that is the real deal to his songs. “A lot of the time I write riffs” he adds.
‘Lady Percy’, a song about an actual person, inspires next year’s currently untitled album. With its sweet continuous drumbeat, it is almost like ‘club’ music but it is the images of Lady Percy herself that has inspired the sound.

King Charles (above) plays the Mad Ferret back on 19 August 2010. By ‘LEMMYMARK’

“The song is sort of about her life and my interest in her life. The way I always think of people is in terms of animals, is like creating new worlds, and seeing someone else’s world in terms of the animal that dictate the form or the shape . Lady Percy has got things like dolphins, mermaids.”

The definition of love as a journey though is something that King Charles himself has explored throughout the album. “What I want to do is to describe that personality of love and everything around it “.


King Charles plays the Mad Ferret, Fylde Road, Preston on Saturday 5th November. His debut single ‘Bam Bam’ is released by Island Records on Monday 14 November.

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UStream goes underground with a twist

‘ UStream goes underground with a twist ‘

The MC shouts and the Boiler Room throws into life. There is a giant curtain screen on the background of a rave from 1989 surfaces to the foreground. Only 40 people are here, and the DJ is also here. The sounds coming out are all here and live. This is only an invite party though, and we have not been invited. Why are we here?

If you are into technology or as a more varied point, a consumer of entertainment, the chances are you will have used Ustream which recently broadcast the Apple iphone event. The purpose of the station is home made. You can broadcast anything you want to on it, all from the screen of your laptop.

Strictly speaking, The Boiler Room has been broadcasting for just over a year, but its rise into dance music culture has only been reprobated in some quarters of the music press over the summer.

This grimy, dark underground church feeling which the station provides is not technically limited to the dance genre. Radiohead recently streamed their remix album ‘TKOL 1234567’ which collaborated on the DJ set with several artists including Jamie XX. It might be a cliché, but the idea of an established band performing over the internet on a specialist station shows that this is the now and future as we know it.

The show takes place several days a week including Tuesday nights. While giving the look of an underground illegal party, the parties actually take place at Corsica Studios in London, a renowned artistic space. James Blake, Jamie XX, Oneman, and Radiohead are just several of the artists that have taken to the airwaves to perform. However what makes this station something we could take note of?

From a cultural perspective, The Boiler Room appears to be influenced by the original pirate radio stations which broadcasted from across the United Kingdom at the height of the rave scene in the late 1980’s and early 1990’s. It was during this period that Radio 1, now an avid influencer in what makes particular aspects of dance music to audience’s popular, banned acid house music with a reference to the drug culture that was an accompaniment on the dance floor.

The station proves that the underground still exists from the over ground culture which is exemplified by the stadium acts of Tiesto and Guetta, and even the monopolised brandings of Creamfields. An over ground can still bring excitement to mainstream audiences but when you watch the Boiler Room you get the feeling of excitement at a live broadcast which seems to restore early dance nostalgia to a new audience while the impression that it is new and live.

The genres of music played seem to be unleashed in a tardis from a dance floor in somewhat 1981 complete with shirts ties, cocktails and disco smoke. Hip-Hop, Jazz, and 1980’s Soul are played albeit surprisingly on vinyl records despite the fact that the DJ’s weren’t even born when these records were first distributed. Then there is the original Acid sound and new House music which seems to have been influenced by its older neighbour within the sounds.

Perhaps one of the greatest inventions of all time was the Podcast. The mixes might not be available in physical copy but they can be restored to your ears if you miss a show. The majority of these will go down in a historical term, particularly if these artists in question go on to hit the upper heights, and several of them have already conquered with albums, met with glee in the wider music world, and of course performing the Warehouse Project.

At first thought, the idea of watching a set with a room of 40 people dancing around to a DJ might seem unattractive, particularly for the longingly of wanting to be there. However for the viewers, it is more about the history and occasion that each show brings, and the idea that you are not missing out on the new underground sounds of London.  The idea of the DJ blasting out funk and 2-step for example is what makes the station modern for the generation thus becoming incredibly diverse. The idea of watching James Blake perform on the show, is a sign that ‘you were there’ albeit in a completely lesser breath of moment.

Without question, the real life span of the Boiler Room is its outstanding catalogue collection of mixes. But the idea of it being live and now is the future as we know it, and with music shows on television becoming an increasing rare spectacle, the idea of embracing new technology and underground culture is here as we know it.

www.boilerroom.tv

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Rewarding second half display in a heat hot bake

IT was never a hotter day than the one that engulfed Moor Park today as FOUNDRY COURT were unlucky to go 4-2 down to FC Beever.

A new look side once again shows signs of a breakaway side from the original Foundry Court line up that saw graduates leave at the end of last year. After a disapointing first half display, the two goals scored by the Isle of Man team duo of Jonny and Aidan secured a fine 2-0 second half win.

A friendly it was, but this was an opportunity to try new players out for the SUL. However it was the weather that was the main talking point in monsoon conditions that to television cameras would look the game on television to be played abroad.

The pitch was still cut up though on this side of Moor Park and FC Beever, also with a new look team made their presence felt within the opening quarter of the match. 2-0 up to the good with a series of fine passing and a sense of weakness in the tackle from the Foundry side.

A few good runs on the flanks from wingers, Ryan Clayton and Sean certainly showed promise but it was clear the midfield was being overrun because of the tactics imposed by FC Beever who had more players in the central area. Unfortuanely in this respect things got worse before the half time whistle, and two further goals from FC Beever both errors of judgement by goalkeeper, Niall meant the game seemed to be a foregone conclusion.

Building a new side always takes time, and the 4-0 reverse score at half time echoed memories of last week’s appalling display against Preston City. The scoreline would not eclipse the 6-1 defeat in this particular conquest though and Foundry applied the pressure in the second half.

A fine long ball from Jamie Allen found Isle of Man superstar, Jonny who rounded the keeper in style after a fine run. The player who has represented the island internationally looked comfortable up front on his own in a lone striker role and this paid good dividends with a goal.

A second goal looked good with pressure being faced from both flanks and a fine series of tackles from Jay in midfield. A second goal came when a fine run by Jonny found centre back, Aidan in the box to tap it home past the keeper.

Final score: FC Beever 4-2 Foundry Court. The first half display was poor but a credit to a new team for fighting back from the scoreline at half time. The second half was encouraging and experimenting was indeed the only option in this enthralling 2011-2012 season.

Foundry Court: Niall, Dan Baker, Jamie Allen, Ben Sharples, Dan Birch, Ryan Clayton, Gary Clark, Aidan, Jonny, Sean, Matt Smith

Subs: Jay, Simon

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4:47am 15th September 2011

I have gone beyond thinking writing about serious things on this blog and decided to revert back to the spontaneous way of things!

You might be wondering why I am posting at such a silly time but a read of my earlier posts on this blog perhaps convinced me it was a good idea to get what was in my mind.

I have now begun third year at UCLAN and I am going out in Freshers Week. And you know what? I like it.

The summer that has just gone past was a chance of rediscovering what I enjoyed doing and what I felt and this came through periods spent back in Harrogate and Cambridge.

Weirdly enough tonight was the best night I have ever had at Lava and Ignite. I would go as far as saying it is worse than Moko in Harrogate. Lava looks like a club born to be in the Hitman and Her (90′s clubbing show) and looks a taccy swimming pool alcoholic fuelled bingo hall with the pleasure of the northern delight of hot dogs.

I only went in there tonight because it was Freshers Week but I found that by sticking to myself, I had a decent night even though I have to pinch myself that Freshers Week really is no rules at all!

The most important thing I have learned in the past few months is to stick to who you are. Call it Dodgy but I liked going to the Viper Rooms in Harrogate. Yes that’s right, Dan Birch likes going to commercial nights for I who always rebelled against this sort of night! It was a joy to socialise with everyone from Harrogate Grammar in all the years and made me re-discover how important my education was (that I do believe I had forgotten) and also the politeness scenario, which I hope and want to continue.

I went to Altern 8 in Leeds two years ago and went to a few Old Skool Hardcore 90′s rave nights and going to them I believe increased my confidence in these ‘commercial’ your own age nights where you have to role play! I used to be so bothered about it. Now I just want to take the ‘mick’. At the end of the day, you just have to have fun.

If you think this was me being a ‘socialite’ then I did find the time today to do Shorthand and go for a run. Going for a run in Preston in the Fulwood area is actually quite pleasant. It is a suburbian area that makes you think of all the families that live there, in a lifestyle associated with home and not the lifestyle associated at University. It is a nice place to escape to in Preston, but the ‘home’ feel is certainly an important factor and I am going to try and go for runs there before lectures in the morning over this coming year.

The Shorthand was fun but I have Track 4 to do now and that will mean combining the words. I will have to do this tommorow after my work.

I have just discovered the time. It is 4:57am. I have work at 12:00pm the following day. I will be working with new people in a job where I have now become a veteran having worked last year. I am desperate to not give the wrong impression but quite clearly there is a problem.

So I have to go. I will stick to my HGS roots most importantly but I hope that this blog post has made sense to all of you!

PS: I feel free from the dearths of serious journalism of trying to be controversial, I feel free once again to post feelings – not bad!

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Music in the 2011 riots: Finding a voice

One day, the other week, I had a listen to ‘Magic America’ by Blur on the Parklife album. It was not the first time I’ve listened to this song but first time in a while. The lyrics summed up everything about America that Britain wasn’t. The instruments created a colourful, bouncy image of Blighty being a cauldron of optimism.

I turned on BBC News 24 and found the UK submerged in riots. The imagery of disbelief and hatred could not have been more opposite. This is 2011.

Talking about what has happened now is easy. But it is how we deal with the aftermath particularly through our music and culture that is going to be how our generation finds a voice.

The music press particularly the Guardian have spoken about how there is a complete absence of political minded songs coming out in the midst of the riots. For a start, the music press always have an agenda to talk about the next big thing. They could at least surely find out for a start what teenagers and early 20 something’s musical interests are.

Krissi Murison, the NME editor said today on the Guardian in an article that this generation are ‘dead eyed, mob like and opportunistic’.

That comment made me feel that the editor was narrow minded and didn’t know what young people get up to.

It is not our fault that no one buys the NME anymore. Everyone has a voice, particularly on Twitter and perhaps no one needs the music press to promote one thing or another, as much.

They don't take for a generation but it's still escapism and the artwork is still beautiful!

But it is true that music needs to find a voice again. Old writers in these traditional publications probably wince at how bands like The Horrors, The Vaccines and Viva Brother have failed to connect with an audience, yet hoping that they spawn some sort of revival in 90’s music or whatever for the time. They understood eras but it worked in different ways. Today there is so much music out there, that trying to find an era where someone has a voice is a lot harder.

Mainstream music always plays a part in most people lives, but I certainly felt that there was a strong sense of divide from people that Cher Lloyd’s song ‘Swagger Jagger’ got to Number 1. Never before has a song seemed so irrelevant to what is happening out in the real word. Chart Music has always been traditionally bland, and Lloyd’s song despite being appalling has happened to come out at the wrong time. Although it does question the musical appetite from the population of the UK, the alternative section has always condemned what products like the X Factor has done.

Trying to find the question to how the arts will react is a hard thing, talking about it is different to actually doing it, and yet you stumble on the same point.

When the music press takes about trying to recreate punk from 1976, it spawns about how everyone is obsessed with nostalgia.

People involved in art and photography as a hobby or at college like to take old skool photos of a Kodak camera from the 1980’s. I too like to listen to old albums or Old Skool Hardcore. In a way we are getting our kicks from yesterday before we were even born.

Do we want this song above in current times? A decision to make surely…

Everyone wants to be in the know about is what is going to happen, and I certainly know too. But to be in Britain 2011 is surely a time for start-up. Starting a band, live venue or blog is more important than it ever was before now surely? It will come naturally.

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A lashing of rain: Scotland 2-1 Denmark, 10 August 2011

There’s nothing better than a damp squib.

Scotland’s match against Denmark last night might have been all about the victory, but quite simply it was the weather that was the main talking point at Hampden.

Making the walking trip to Hampden Park battling the raining cats and dogs are something that all Scotland supporters have to do at least once in their lives.
From going from a warm sunny day in Monday in England to a return to up north in torrential downpour, it could not have been more scripted.

The rain thundered over the players and the noise of the water provided one of the main atmosphere points, with the sparse 17,000 crowd inside the national stadium.

A lack of fans it may be but the match offered me the opportunity to stand up throughout the whole game.
It was just like a bygone era, but for an international match, something I had never been able to do before apart from the odd match watching Harrogate Town.

Talk about nothing new but standing made the football experience much more fun. Older supporters will remember the open unroofed terrace of Hampden Park which would have been a whitewash in the old days.

From a football point of view, we are not getting carried away. A 2-1 win against a good team will boost ranking points, but there were still plenty of elements which need to be improved on, ahead of the important qualifiers.

The 4-5-1 tactical play of playing long balls through to Kenny Miller will simply not work against top class opposition particularly Spain. Some of Scotland’s best chances against Denmark came from through balls played in links up between Naismith and Miller. The two players worked well together in their time at Rangers and there was evidence last night that they can do the same for Scotland.

More players need to express creative freedom. Barry Bannan’s long shot right at the end of the match tested Sorensen well but from memory, was the only time we actually tested him from outside the box.

Allan McGregor needs to work on dealing with crosses and high balls. He was caught out completely by Eriksen’s goal when he went a yard forward too much. McGregor’s shot stopping ability has seen him come for high praise indeed, but we need him to concentrate on focusing on his weak areas ahead of the qualifiers.

But a win is a win, and yes we actually won, let’s savour it!

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